New Observations Confirm Skepticism of Creative Class Urbanism

State and Local Government |
By Patrick Tuohey | Read Time 3 min

In a recent Vox column, Rachel Cohen Booth argues that many American cities pursued a “creative‑class” strategy in the 2000s and 2010s: they built dense housing aimed at young, child‑free professionals—studios, one‑ and two‑bedroom apartments—betting millennials would form the stable middle of urban life. According to Booth, the bet is unraveling as those millennials age into their 30s and 40s and begin having children. Because the housing stock never adapted—family‑sized apartments, townhouses, or starter homes remained rare—many of these families are leaving cities, and large urban counties have seen notable declines in their population of children under five.

Long-time readers of this site will not be surprised. I argued in 2018 that Kansas City’s “creative‑class” investments—downtown luxury apartments, entertainment districts, and infrastructure built for young urbanites—did not amount to a sustainable strategy for long‑term growth and retention. I observed that many millennials preferred the suburbs: affordable housing, space, good schools, and stable services.

Booth’s column helps explain why. The urban‑core housing boom may have been good at attracting people in their 20s and early 30s. But when that cohort started families, cities lacked housing and civic infrastructure suitable for children and long‑term residence. As a result, the creative‑class gamble has begun to backfire. Cities may keep a veneer of vibrancy and high rents, but underneath many are losing the people who once anchored stable communities—workers, taxpayers, parents, consumers.

That matters for Missouri cities such as Kansas City (and for other mid-size urban areas nationwide). A city’s strength does not come only from bars, nightlife, or trendy apartments. It comes from stable families, long‑term homeownership or stable renting, good schools, reliable infrastructure, and civic engagement grounded in predictable community roots. The creative‑class theory always rested on uncertain assumptions about life‑cycle stability.

As I pointed out in 2018, and as current national trends affirm, there is no magic bullet to make downtown living the default for most families. A better path remains broad and neutral: keep taxes reasonable, maintain infrastructure, support quality schools, and enable stable, moderately priced housing—suburban or urban—that families actually want.

Creative‑class strategies may look shiny on paper and flashy in media. But when they fail to adapt to one of life’s key transitions—from young adult to parent—their long‑term contribution to stable growth may have been nothing more than a short‑lived boom.

Thumbnail image credit: Sean Pavone / Shutterstock
Patrick Tuohey

About the Author

Patrick Tuohey is a senior fellow at the Show-Me Institute and co-founder and policy director of the Better Cities Project. Both organizations aim to deliver the best in public policy research from around the country to local leaders, communities and voters. He works to foster understanding of the consequences — often unintended — of policies regarding economic development, taxation, education, policing, and transportation. In 2021, Patrick served as a fellow of the Robert J. Dole Institute of Politics at the University of Kansas. He is currently a visiting fellow at the Yorktown Foundation for Public Policy in Virginia and also a regular opinion columnist for The Kansas City Star. Previously, Patrick served as the director of municipal policy at the Show-Me Institute. Patrick’s essays have been published widely in print and online including in newspapers around the country, The Hill, and Reason Magazine. His essays on economic development, education, and policing have been published in the three most recent editions of the Greater Kansas City Urban League’s “State of Black Kansas City.” Patrick’s work on the intersection of those topics spurred parents and activists to oppose economic development incentive projects where they are not needed and was a contributing factor in the KCPT documentary, “Our Divided City” about crime, urban blight, and public policy in Kansas City. Patrick received a bachelor’s degree from Boston College in 1993.

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